
Nicholas Kelly
Composition: Wind Rising in the Alleys with text by Lola Ridge
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Commended by the Vancouver Sun for his "sophisticated work of such immediate, glittery appeal" and called "a rising star in the constellation of Canadian composers" by Oregon Arts Watch, Nicholas Ryan Kelly writes choral, wind ensemble, and chamber music infused with a sense of cinematic drama.
Since 2016, he has won nearly 20 national and international competitions for wind band and (mostly) choral writing, including the Edwin Fissinger Choral Composition Prize and the Howard Cable Prize from the Canadian Band Association. His music has been performed by most of Western Canada's top choirs, including the Vancouver Chamber Choir, Chor Leoni, Elektra Women's Choir, and Pro Coro Canada. His 2022 commissions include Chronos Vocal Ensemble, the Vancouver Men's Chorus, and the DaCapo Chamber Choir.
A graduate of the music composition programs at Ithaca College (New York) and the University of British Columbia, Nick lives in BC's beautiful Okanagan Valley, where he is involved in many small-town musical activities as a conductor and teacher.
A note from the jury:
A well-crafted choral work, Wind Rising in the Alleys, contains the perfect balance of rhythmic vitality, beautiful melodic line, and harmonic surprise. The piano accompaniment is substantial but never overwhelming and acts as a collaborative partner to the choir - a vocal extension of the SATB texture. The text is meaningful and filled with hopeful images that shares a timely message for our world.

Mari Alice Conrad
Composition: At First Light with text by Anna Marie Sewell
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Mari Alice Conrad is an emerging, award-winning composer near Edmonton, Alberta currently studying graduate work in music composition at the University of Alberta. She has composed works for ensembles and performers across Canada including Babɛl Choir (Toronto), Standing Wave Ensemble (Vancouver), Exultate Chamber Singers (Toronto), the Allegra Chamber Orchestra (Vancouver), the SHHH!! Ensemble (Ottawa), Edmonton Winds (Edmonton), Soprano Maghan McPhee and pianist Valerie Dueck (Ottawa), Allen Stiles (Vancouver), Pro Coro Canada (Edmonton), and has mentored young composers through the Tuckamore Widening the Circle Program (Newfoundland).
Recent performances of her works were featured at Ottawa Chamberfest, Vancouver’s Allegra Chamber Orchestra FestivELLE, Toronto’s East Chamber Festival, the Banff Centre for the Arts, and the New Music Edmonton Summer Solstice Festival. Mari Alice’s compositional practice shines an exceptional light on the human condition and fosters curiosity, authenticity, connection, and collaboration. Her honest and intuitive compositional voice creates a compelling experience for both performers and audiences.
A note from the jury:
I was completely drawn to this music because of the text. How exciting for a young composer to collaborate with an established poet to create this choral piece. This composer uses word painting, dissonant harmonies, and aleatoric techniques to capture the attention of both the singer and the audience.
The jury would also like to give honourable mentions to Edward Enman for his submission to the Diane Loomer Award competition with his composition Where Light is Possible and Benjamin Sigerson for his submission to the Stephen Chatman Student Award competition with his composition What Gentle Stardust, Now Falling.
A special thank you to our anonymous jury members for their time and expertise in reviewing the numerous submissions of the 2022 Competition for Choral Writing.